卷二(二) 星座的种类与三分、四分
十二星座的十几种分类:阴阳、人兽、单双、昼夜、陆水、多产不育、姿态、残缺、季节;再讲三分、四分与左右,并告诫须按度数。
Male and Female Signs
Six Male from Aries, from the Bull comprise / (See how he rises backward in the Skies) / Six Female Signs; but intermixt they fall / In order turn'd, one Female, and one Male. / Some Signs bear Humane Shapes, some Signs exprest
Humane and Brute Signs
In single Figures bear the Form of Beast: / These Shapes direct us, and from those we know / How each inclines, what Tempers Signs bestow; / Their Figures will not let their Force escape, / Their Tempers are agreeing to their Shape. / These Signs are Single, now observe the Pairs,
Single and Double Signs
Double Shapes confess a double Force in Stars: / And each Companion still in each creates / A Change, and vast Variety in Fates: / Ambiguous Force from both exprest combines, / No Single Influence flows from Double Signs.
What Powers, or good or bad, one Part displays, / They may be alter'd by the others Rays: / Two of this kind in all the round of Sky
Pairs
Appear, the Pisces and the naked Gemini: / These different Powers, tho both Pair Signs, possess, / Because their Parts Position disagrees; / For tender Gemini in strict embrace / Stand clos'd, and smiling in each others Face: / Whilst Pisces glide in two divided Streams, / Nor friendly seem, nor mix agreeing Beams.
Thus, tho in Both two parts compose the Frame, / In Form alike, their Nature's not the same. / These Pairs alone an equal Frame can boast,
Double Signs of different Species
No stranger parts are mixt, no parts are lost / From their due Form; whilst other Pairs are join'd / Of Natures disagreeing in their kind; / Such is the Goat, he twists a Scaly Train, / The Centaur such, half Horse, and half a Man.
Observe this well, in these Mysterious Arts / VVhether the Signs are fram'd of different parts, / Or only Pairs, it much imports to know, / For hence comes great Variety below. / Midst double Signs the Pious Maid may claim

翻译点开
Male and Female Signs
[阳性与阴性星座]
Six Male from Aries, from the Bull comprise / (See how he rises backward in the Skies) / Six Female Signs; but intermixt they fall / In order turn'd, one Female, and one Male. / Some Signs bear Humane Shapes, some Signs exprest
从白羊起六个阳性星座,从金牛起六个阴性星座(看他怎样倒着在天上升起);但它们交错排列,依次轮转,一阴一阳。有的星座带着人形,有的星座表现为
Humane and Brute Signs
[人形与兽形星座]
In single Figures bear the Form of Beast: / These Shapes direct us, and from those we know / How each inclines, what Tempers Signs bestow; / Their Figures will not let their Force escape, / Their Tempers are agreeing to their Shape. / These Signs are Single, now observe the Pairs,
单一的形体,带着野兽的样子:这些形象指引我们,从它们我们得知每个星座的倾向、它们赋予怎样的性情;它们的形象不会让它们的力量藏起来,它们的性情与形状相合。这些是单体星座,现在来看成对的,
Single and Double Signs
[单体与双体星座]
Double Shapes confess a double Force in Stars: / And each Companion still in each creates / A Change, and vast Variety in Fates: / Ambiguous Force from both exprest combines, / No Single Influence flows from Double Signs.
双重的形体表明星辰有双重的力量:每个同伴总在对方身上造成变化,造成命运的极大多样:两者表现出的含混之力结合起来,双体星座不会流出单一的影响。
What Powers, or good or bad, one Part displays, / They may be alter'd by the others Rays: / Two of this kind in all the round of Sky
一部分显示的力量,不论好坏,都可能被另一部分的光线改变:整个天圈中这一类星座有两个
Pairs
[成对的星座]
Appear, the Pisces and the naked Gemini: / These different Powers, tho both Pair Signs, possess, / Because their Parts Position disagrees; / For tender Gemini in strict embrace / Stand clos'd, and smiling in each others Face: / Whilst Pisces glide in two divided Streams, / Nor friendly seem, nor mix agreeing Beams.
出现,即双鱼和赤裸的双子:它们虽然都是成对的星座,却有不同的力量,因为它们两部分的位置不一致;温柔的双子紧紧拥抱,站在一起,彼此对面微笑:而双鱼分在两道水流中游动,既不显得友好,也不混合和谐的光线。
Thus, tho in Both two parts compose the Frame, / In Form alike, their Nature's not the same. / These Pairs alone an equal Frame can boast,
所以,虽然两者的形体都由两部分组成,形状相似,本性却不相同。只有这两对能夸耀形体均等,
Double Signs of different Species
[由不同种类合成的双体星座]
No stranger parts are mixt, no parts are lost / From their due Form; whilst other Pairs are join'd / Of Natures disagreeing in their kind; / Such is the Goat, he twists a Scaly Train, / The Centaur such, half Horse, and half a Man.
没有混入异类的部分,也没有哪部分失去应有的形状;而另一些成对的星座是由种类不合的本性结合而成;摩羯就是这样,它拖着一条有鳞的尾巴;半人马也是这样,半是马,半是人。
Observe this well, in these Mysterious Arts / VVhether the Signs are fram'd of different parts, / Or only Pairs, it much imports to know, / For hence comes great Variety below. / Midst double Signs the Pious Maid may claim
好好留意:在这些神秘的技艺里,星座是由不同的部分构成,还是只是成对,知道这一点很要紧,因为下界极大的多样就由此而来。在双体星座之中,虔诚的处女也可以要求
大意与图解点开
🔎 大意:星座一阳一阴交错,白羊为首阳;形象定性情,有人形有兽形;双子、双鱼是同类成对,摩羯、射手是异类合体,双体之力含混多变。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 阳性 / 阴性星座 | Male / Female Signs | 一阳一阴交错排列 |
| 人形星座 | Humane Signs | 形象为人的星座 |
| 单体星座 | Single Signs | 形象只有一个 |
| 双体星座 | Double Signs | 形象成双或合体 |
| 成对的星座 | Pairs | 同类两个相成 |
🧭 图解与讲解
卷二正式进入占星规则,第一项是星座的种种分类。最基本的是阴阳(图一):从白羊起数,第一、三、五……即白羊、双子、狮子、天秤、射手、水瓶为阳性;金牛、巨蟹、处女、天蝎、摩羯、双鱼为阴性,一阳一阴交错排列。括号里「看他怎样倒着在天上升起」是说金牛星座的形象是背朝前升起的,下文还会再提。这与托勒密《四书》卷一第十二章的阴阳之分完全相同。
〔图〕十二星座一阳一阴交错:白羊起为阳,金牛起为阴
| 分类 | 星座 | 诗中所说 |
|---|---|---|
| 同类成对 | 双子、双鱼 | 双子相拥对笑,双鱼分流背游:形似而性异 |
| 异类合体 | 摩羯、射手 | 摩羯山羊身拖鱼尾;射手半马半人 |
| 双体的通则 | 以上诸座 | 两部分互相改变,不流出单一的影响 |
| 单体 | 其余星座 | 只有一个形体,人形或兽形,性情与形状相合 |
第二种是人形与兽形:星座的形象「指引我们」,「性情与形状相合」,人形星座赋予人的性情,兽形星座赋予兽的性情。这是古典占星「以形取象」的原则,后世所说的人形星座(双子、处女、天秤、水瓶等)、兽形星座、四足星座都由此而来。
第三种是单体与双体(表二)。双体星座的力量「含混」:两部分互相改变,所以命运多变。其中又分两类:双子与双鱼是同类两个相成,但双子相拥、双鱼背游,形似而性异;摩羯(山羊身、鱼尾)与射手(诗中称「半人马」,半马半人)是异类合体。诗人强调分辨这一点「很要紧」,因为「下界极大的多样就由此而来」。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 阳性 / 阴性星座 | Male / Female Signs | 一阳一阴交错排列 |
| 人形星座 | Humane Signs | 形象为人的星座 |
| 单体星座 | Single Signs | 形象只有一个 |
| 双体星座 | Double Signs | 形象成双或合体 |
| 成对的星座 | Pairs | 同类两个相成 |
🧭 图解与讲解
卷二正式进入占星规则,第一项是星座的种种分类。最基本的是阴阳(图一):从白羊起数,第一、三、五……即白羊、双子、狮子、天秤、射手、水瓶为阳性;金牛、巨蟹、处女、天蝎、摩羯、双鱼为阴性,一阳一阴交错排列。括号里「看他怎样倒着在天上升起」是说金牛星座的形象是背朝前升起的,下文还会再提。这与托勒密《四书》卷一第十二章的阴阳之分完全相同。
| 分类 | 星座 | 诗中所说 |
|---|---|---|
| 同类成对 | 双子、双鱼 | 双子相拥对笑,双鱼分流背游:形似而性异 |
| 异类合体 | 摩羯、射手 | 摩羯山羊身拖鱼尾;射手半马半人 |
| 双体的通则 | 以上诸座 | 两部分互相改变,不流出单一的影响 |
| 单体 | 其余星座 | 只有一个形体,人形或兽形,性情与形状相合 |
第二种是人形与兽形:星座的形象「指引我们」,「性情与形状相合」,人形星座赋予人的性情,兽形星座赋予兽的性情。这是古典占星「以形取象」的原则,后世所说的人形星座(双子、处女、天秤、水瓶等)、兽形星座、四足星座都由此而来。
第三种是单体与双体(表二)。双体星座的力量「含混」:两部分互相改变,所以命运多变。其中又分两类:双子与双鱼是同类两个相成,但双子相拥、双鱼背游,形似而性异;摩羯(山羊身、鱼尾)与射手(诗中称「半人马」,半马半人)是异类合体。诗人强调分辨这一点「很要紧」,因为「下界极大的多样就由此而来」。
Double Signs by Place
A place, not from the Figure of her Frame, / But 'cause in Her the Summer's Heats decay, / And gentler Autumn spreads a weaker Ray.
But to be short; the same account defines / That Double still precede the Tropick Signs, / Because in those two Seasons mixt unite / Their Powers, and make them double by their Site.
Thus of the Twins the one the Bull requires, / The other feels the Crab's unruly Fires; / One sees the fading Flowers, and Spring decline, / The other Boy leads on the hottest Sign: / But naked both, for both feel scorching Rays / As Summer comes, or as the Spring decays.
Thy Face, bright Centaur, Autumn's Heats retain, / The softer Season suiting to the Man; / Whilst Winter's shivering Goat afflicts the Horse / With Frost, and makes him an uneasie Course.
Thus thou midst double Signs mightst doubly claim / A place, both from thy Seat, and from thy Frame: / The like in Pisces is observ'd, one brings / The Winter's end, the other leads the Springs; / In them Spring's Dews, with Winter's Rage combine, / Both moist, and both agreeing to the Sign:
How wise, and how obliging in her Grants / Is Nature's Bounty suited to our Wants!
With Moisture she the Watry Signs supplies, / And they enjoy their Ocean in the Skies.
But there is War, Sign disagrees with Sign, / And Three rise adverse to the other Nine:
翻译点开
Double Signs by Place
[因位置而为双体的星座]
A place, not from the Figure of her Frame, / But 'cause in Her the Summer's Heats decay, / And gentler Autumn spreads a weaker Ray.
一席之地,不是因为她形体的样子,而是因为夏天的炎热在她那里衰退,较温和的秋天洒下较弱的光。
But to be short; the same account defines / That Double still precede the Tropick Signs, / Because in those two Seasons mixt unite / Their Powers, and make them double by their Site.
简而言之,同一个道理规定:双体星座总在回归星座之前,因为在那些星座里,两个季节混合、结合它们的力量,使它们因位置而成为双体。
Thus of the Twins the one the Bull requires, / The other feels the Crab's unruly Fires; / One sees the fading Flowers, and Spring decline, / The other Boy leads on the hottest Sign: / But naked both, for both feel scorching Rays / As Summer comes, or as the Spring decays.
所以双子中,一个属于金牛,另一个感受到巨蟹难驯的火;一个看见花朵凋零、春天衰退,另一个少年引领最热的星座:但两个都赤身裸体,因为两个都感受到灼热的光线,不论是夏天来临,还是春天衰退。
Thy Face, bright Centaur, Autumn's Heats retain, / The softer Season suiting to the Man; / Whilst Winter's shivering Goat afflicts the Horse / With Frost, and makes him an uneasie Course.
明亮的半人马啊,你的面庞保留着秋天的热,较温和的季节适合人的部分;而冬天里颤抖的山羊用霜折磨马的部分,使他的奔驰很不舒适。
Thus thou midst double Signs mightst doubly claim / A place, both from thy Seat, and from thy Frame: / The like in Pisces is observ'd, one brings / The Winter's end, the other leads the Springs; / In them Spring's Dews, with Winter's Rage combine, / Both moist, and both agreeing to the Sign:
所以你在双体星座中可以双重地要求一席之地,既因为你的座位,也因为你的形体:双鱼也是这样,一条带来冬天的终结,另一条引领春天;在它们身上,春天的露水与冬天的狂暴相结合,两者都湿润,都与这个星座相合:
How wise, and how obliging in her Grants / Is Nature's Bounty suited to our Wants!
自然的恩赐多么明智,多么体贴,与我们的需要正相配合!
With Moisture she the Watry Signs supplies, / And they enjoy their Ocean in the Skies.
她给水中的星座供给湿气,它们在天上享有自己的海洋。
But there is War, Sign disagrees with Sign, / And Three rise adverse to the other Nine:
但星座之间也有战争,星座与星座不和,三个星座与其余九个反向升起:
大意与图解点开
🔎 大意:紧接在四个回归星座之前的双子、处女、射手、双鱼,都跨两季,因位置而为双体;处女形单而位双,射手形位俱双。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 回归星座 | Tropick Signs | 白羊、巨蟹、天秤、摩羯 |
| 因位置而双 | double by their Site | 跨两季而成双 |
| 半人马 | Centaur | 此指射手座 |
| 季节 | Seasons | 星座分属的四季 |
🧭 图解与讲解
上一单元末句「在双体星座之中,虔诚的处女也可以要求」在这里接上:处女的形象是单个少女,却因位置而为双体,因为夏天在她这里结束、秋天开始。推而广之(图一):紧接在四个回归星座(白羊、巨蟹、天秤、摩羯)之前的星座,都处在两季交界,「两个季节混合、结合它们的力量」,所以都是双体:双子、处女、射手、双鱼。
〔图〕四个双体星座都在回归星座之前,各跨两季
| 星座 | 为何是双体 | 诗中的形象 |
|---|---|---|
| 双子 | 形双、位双 | 一个属金牛之春,一个承巨蟹之火;两人都赤身,因为都受烈日 |
| 处女 | 只因位置 | 夏热在她这里衰退,秋光转弱 |
| 射手 | 形双、位双 | 人身保留秋热,马身受摩羯之霜 |
| 双鱼 | 形双、位双 | 一条结束冬天,一条引领春天;冬雨春露都湿 |
诗人一一说明(表二):双子中一人属春、一人属夏,所以两人都赤身;射手的人身保留秋天的热,马身则受冬天摩羯的霜冻;双鱼一条结束冬天,一条引领春天。射手与双鱼的形象本来就是双,位置又是双,所以「双重地」有资格。
这正是后世「启动、固定、变动」三分法里的变动星座(托勒密《四书》卷一第十一章称「双体星座」):回归星座开启季节,双体星座处在季节之末、与下一季相交。本单元最后一句引出新的分类:「三个星座与其余九个反向升起」。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 回归星座 | Tropick Signs | 白羊、巨蟹、天秤、摩羯 |
| 因位置而双 | double by their Site | 跨两季而成双 |
| 半人马 | Centaur | 此指射手座 |
| 季节 | Seasons | 星座分属的四季 |
🧭 图解与讲解
上一单元末句「在双体星座之中,虔诚的处女也可以要求」在这里接上:处女的形象是单个少女,却因位置而为双体,因为夏天在她这里结束、秋天开始。推而广之(图一):紧接在四个回归星座(白羊、巨蟹、天秤、摩羯)之前的星座,都处在两季交界,「两个季节混合、结合它们的力量」,所以都是双体:双子、处女、射手、双鱼。
| 星座 | 为何是双体 | 诗中的形象 |
|---|---|---|
| 双子 | 形双、位双 | 一个属金牛之春,一个承巨蟹之火;两人都赤身,因为都受烈日 |
| 处女 | 只因位置 | 夏热在她这里衰退,秋光转弱 |
| 射手 | 形双、位双 | 人身保留秋热,马身受摩羯之霜 |
| 双鱼 | 形双、位双 | 一条结束冬天,一条引领春天;冬雨春露都湿 |
诗人一一说明(表二):双子中一人属春、一人属夏,所以两人都赤身;射手的人身保留秋天的热,马身则受冬天摩羯的霜冻;双鱼一条结束冬天,一条引领春天。射手与双鱼的形象本来就是双,位置又是双,所以「双重地」有资格。
这正是后世「启动、固定、变动」三分法里的变动星座(托勒密《四书》卷一第十一章称「双体星座」):回归星座开启季节,双体星座处在季节之末、与下一季相交。本单元最后一句引出新的分类:「三个星座与其余九个反向升起」。
Signs of natural or unnatural Postures
Bull's Back, Twins Feet, Crab's Shell do first appear, / And stop the progress of the rising year; / Whilst others in their usual Postures rise, / Nor shew unnatural Figures in the Skies: / Since then thro' adverse Signs the Summer's Sun / Makes way, no wonder that he drives so slowly on.
How vast this Knowledge, and how hard to gain, / The Subject still encreasing with the Pain; / Yet my swift Muse, like Larks on towring Wings / Mounts to the Skies, and as she mounts she sings:
Day Signs and Night Signs
She sees Signs various in her Aiery Flight / Some Signs of Day, and other Signs of Night: / Not so distinguish'd Cause those Signs maintain / Those times distinctly, and then choose to reign: / For then as Years roul round, the Circling Lights / Would all be of one kind Day's all, or all the Night's.
But 'cause wise Nature in her first Designs / By Laws Eternal fixt them to these Times: / The Centaur, Lion, and the golden Ram, / Fish, Crab, and Scorpio with his venom'd Flame / Or near in Site, or in an equal space / By two alike divided, are the Day's:
The rest the Night's. But who can hope to see / Opinion's join, or find the World agree!
Some with the Ram begin, and thence convey / The Five in Order following to the Day.
The rest from Libra are to Night confin'd: / Whilst others sing Male Signs affect the Light, / And Female safely wanton in the Night. / But others, this is plain from common sense, demand

翻译点开
Signs of natural or unnatural Postures
[姿态自然或不自然的星座]
Bull's Back, Twins Feet, Crab's Shell do first appear, / And stop the progress of the rising year; / Whilst others in their usual Postures rise, / Nor shew unnatural Figures in the Skies: / Since then thro' adverse Signs the Summer's Sun / Makes way, no wonder that he drives so slowly on.
金牛的背、双子的脚、巨蟹的壳最先出现,阻滞上升之年的进程;而其余的星座都以通常的姿态升起,不在天上显出不自然的形象:既然夏天的太阳要穿过这些逆向的星座开路,难怪他驱车如此缓慢。
How vast this Knowledge, and how hard to gain, / The Subject still encreasing with the Pain; / Yet my swift Muse, like Larks on towring Wings / Mounts to the Skies, and as she mounts she sings:
这门知识多么广大,多么难以获得,题材总是随着辛劳而增加;可我迅捷的诗神像云雀扇动高飞的翅膀,升上天空,一边上升一边歌唱:
Day Signs and Night Signs
[昼星座与夜星座]
She sees Signs various in her Aiery Flight / Some Signs of Day, and other Signs of Night: / Not so distinguish'd Cause those Signs maintain / Those times distinctly, and then choose to reign: / For then as Years roul round, the Circling Lights / Would all be of one kind Day's all, or all the Night's.
她在空中的飞翔里看见星座各不相同,有些是白昼的星座,有些是黑夜的星座:它们这样区分,并不是因为那些星座分别守着那些时间、选在那时统治;因为那样的话,随着岁月轮转,这些循环的时光就会全是一类,全是白昼,或全是黑夜。
But 'cause wise Nature in her first Designs / By Laws Eternal fixt them to these Times: / The Centaur, Lion, and the golden Ram, / Fish, Crab, and Scorpio with his venom'd Flame / Or near in Site, or in an equal space / By two alike divided, are the Day's:
而是因为明智的自然在最初的设计里,以永恒的法则把它们定在这些时间:半人马、狮子、金色的白羊,双鱼、巨蟹,以及带着毒焰的天蝎,或者位置相邻,或者被两个同类的星座隔开相等的距离,它们属于白昼:
The rest the Night's. But who can hope to see / Opinion's join, or find the World agree!
其余的属于黑夜。可谁能指望看见意见一致,或发现世人同意!
Some with the Ram begin, and thence convey / The Five in Order following to the Day.
有些人从白羊开始,从那里把依次相随的五个星座归给白昼。
The rest from Libra are to Night confin'd: / Whilst others sing Male Signs affect the Light, / And Female safely wanton in the Night. / But others, this is plain from common sense, demand
其余从天秤起的归入黑夜:另一些人则歌唱阳性星座喜爱光明,阴性星座在夜里安然嬉戏。但还有些人——这从常识来看很明显——要求
大意与图解点开
🔎 大意:金牛、双子、巨蟹倒着升起,所以夏日行缓。昼星座是火象三座与水象三座,其余为夜;另有前六后六、阳昼阴夜两说。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 逆向的星座 | adverse Signs | 倒着升起的三座 |
| 昼星座 | Signs of Day | 属白昼的星座 |
| 夜星座 | Signs of Night | 属黑夜的星座 |
| 云雀 | Larks | 边飞边唱的鸟 |
🧭 图解与讲解
先是一种特别的分类:金牛、双子、巨蟹三座在天上是「倒着」升起的,金牛先露出背,双子先露出脚,巨蟹先露出壳;其余九座都以正常的姿态升起。诗人由此解释一个天文现象:太阳在初夏穿过这三座时「驱车如此缓慢」,即从春分到秋分的日子比从秋分到春分略长(太阳在远地点附近运行较慢)。他用星座的「逆向」来说明,这是诗意的解释。
〔图〕昼星座两两相邻,又被两个夜星座隔开:火象与水象为昼
| 说法 | 昼星座 | 夜星座 |
|---|---|---|
| 诗人所主 | 白羊、狮子、射手;巨蟹、天蝎、双鱼 | 金牛、处女、摩羯;双子、天秤、水瓶 |
| 前后半分 | 白羊起六座(白羊至处女) | 天秤起六座(天秤至双鱼) |
| 以阴阳分 | 阳性六座 | 阴性六座 |
接着是昼夜之分(图一)。诗人先排除一个误解:昼星座并不是「在白天统治」的星座,否则随着一年轮转,所有的白天都只属于一类星座。昼夜之分是自然以永恒法则规定的:白羊、狮子、射手、巨蟹、天蝎、双鱼为昼;其余六座为夜。它们的排列很有规律:「或者位置相邻,或者被两个同类的星座隔开相等的距离」,即两昼、两夜交替。按后世的四元素说,昼星座正是火象与水象两组三方。
诗人也列出异说(表二):一说以白羊至处女为昼、天秤至双鱼为夜;一说阳性星座属昼、阴性属夜。后一说即托勒密《四书》卷一第十二章所取:阳性星座兼为昼性,阴性星座兼为夜性,后世多从托勒密。曼尼利乌斯的「火、水为昼」之说较少被采用,读者可由此看出古代占星在这一点上的分歧。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 逆向的星座 | adverse Signs | 倒着升起的三座 |
| 昼星座 | Signs of Day | 属白昼的星座 |
| 夜星座 | Signs of Night | 属黑夜的星座 |
| 云雀 | Larks | 边飞边唱的鸟 |
🧭 图解与讲解
先是一种特别的分类:金牛、双子、巨蟹三座在天上是「倒着」升起的,金牛先露出背,双子先露出脚,巨蟹先露出壳;其余九座都以正常的姿态升起。诗人由此解释一个天文现象:太阳在初夏穿过这三座时「驱车如此缓慢」,即从春分到秋分的日子比从秋分到春分略长(太阳在远地点附近运行较慢)。他用星座的「逆向」来说明,这是诗意的解释。
| 说法 | 昼星座 | 夜星座 |
|---|---|---|
| 诗人所主 | 白羊、狮子、射手;巨蟹、天蝎、双鱼 | 金牛、处女、摩羯;双子、天秤、水瓶 |
| 前后半分 | 白羊起六座(白羊至处女) | 天秤起六座(天秤至双鱼) |
| 以阴阳分 | 阳性六座 | 阴性六座 |
接着是昼夜之分(图一)。诗人先排除一个误解:昼星座并不是「在白天统治」的星座,否则随着一年轮转,所有的白天都只属于一类星座。昼夜之分是自然以永恒法则规定的:白羊、狮子、射手、巨蟹、天蝎、双鱼为昼;其余六座为夜。它们的排列很有规律:「或者位置相邻,或者被两个同类的星座隔开相等的距离」,即两昼、两夜交替。按后世的四元素说,昼星座正是火象与水象两组三方。
诗人也列出异说(表二):一说以白羊至处女为昼、天秤至双鱼为夜;一说阳性星座属昼、阴性属夜。后一说即托勒密《四书》卷一第十二章所取:阳性星座兼为昼性,阴性星座兼为夜性,后世多从托勒密。曼尼利乌斯的「火、水为昼」之说较少被采用,读者可由此看出古代占星在这一点上的分歧。
Earth and Water Signs
Some Signs for Sea, and other Signs for Land: / Thus watery Pisces, and the Crab retain / Their proper Nature, and respect the Main: / The Bull and Ram possess their old Command, / They led the Herds, and still they love the Land, / Tho' there the Lion's Force their Rest invades, / And poysnous Scorpio lurks in gloomy Shades;
The Danger is despis'd, the Ram, the Bull / Keep Land, so powerful is the Lust of Rule: / The Twins, the Centaur, and the Scales dispose / In the same Rank; and join the Maid with those.
Of middle Nature some with Both agree, / One part respects the Land, and one the Sea: / The double Goat is such, whose wild Command / Now Sea affects, and now enjoys the Land: / And young Aquarius pouring out his Stream / Here spreads a watry, there an Earthy Beam. / How small these things, yet they reward thy pain,
Fruitful and Barren Signs
Reason's in All, and nothing's fram'd in vain: / The Crab is fruitful, and a numerous Brood / Fierce Scorpio yields, and Pisces fill the Flood; / The Lion's barren, and no Vows can gain / The Maid; Aquarius spends his Youth in vain, / Ah too remov'd, too far disjoyn'd to prove / The fruitful Pleasures of encreasing Love!
'Twixt these two kinds a Third nor fruitful Beams / Nor Barren spreads, but joyns the two Extreams: / The Goat all Beast above, and Fish below, / The Centaur glorious in his Cretian Bow, / The Scales that Autumn's Equinoctial rule, / The Twins, and Ram, to whom we join the Bull.
Nor must you think it undesign'd, a Cast / of busie Nature as she wrought in haste;
Signs of different Postures
That some shew running Postures in their frame, / The Lion, Centaur, and the turning Ram; / Erected some, Aquarius rears his Head, / The Twins are upright, and the pious Maid: / Some crouching Signs a lazy Posture show, / Thus Taurus bends, as wearied by the Plough;
The Scales press'd down appear, and Caper lies / By his own Frost contracted in the Skies: / The Crab and Scorpio flat are found, they show / The Postures there which they maintain below, / Whilst watry Pisces low, and gently glide / In Streams divided, always on their side. / But search minutely, and you find a Maim
Maimed and intire Signs
In many Signs, the mighty Bull is lame, / His Leg turns under, Scorpio's Claws are lost / In Libra's Scales, nor can the Centaur boast / A Form compleat, tho' we distinctly find / One Eye, the other's lost, and Cancer's blind.
Thus Heaven to wretched Mortals sends Relief / By these Examples it corrects our Grief, / Since Signs, on which our Fates depend, do share / The like Misfortunes, which we grieve to bear. / The different Seasons likewise share the Signs,
Season Signs
From Pisces Spring, and Summer from the Twins, / From Centaur Winter, Autumn from the Maid begins: / Each hath three Signs, and as the Seasons fight / In the Years Round, so these lie opposite. / Nor is't sufficient that my Muse defines
翻译点开
Earth and Water Signs
[陆地与水中的星座]
Some Signs for Sea, and other Signs for Land: / Thus watery Pisces, and the Crab retain / Their proper Nature, and respect the Main: / The Bull and Ram possess their old Command, / They led the Herds, and still they love the Land, / Tho' there the Lion's Force their Rest invades, / And poysnous Scorpio lurks in gloomy Shades;
有些星座属海,有些星座属陆:所以水中的双鱼和巨蟹保持它们本来的性质,关顾大海:金牛和白羊保有它们古老的统辖,它们曾带领畜群,至今仍喜爱陆地,尽管狮子的力量在那里侵扰它们的安宁,有毒的天蝎潜伏在幽暗的阴影里;
The Danger is despis'd, the Ram, the Bull / Keep Land, so powerful is the Lust of Rule: / The Twins, the Centaur, and the Scales dispose / In the same Rank; and join the Maid with those.
危险被藐视了,白羊、金牛守着陆地,统治的欲望就是这么强:双子、半人马和天秤也排在同一类,处女也与它们同列。
Of middle Nature some with Both agree, / One part respects the Land, and one the Sea: / The double Goat is such, whose wild Command / Now Sea affects, and now enjoys the Land: / And young Aquarius pouring out his Stream / Here spreads a watry, there an Earthy Beam. / How small these things, yet they reward thy pain,
有些星座本性居中,与两者都相合,一部分关顾陆地,一部分关顾海洋:双体的山羊就是这样,它狂野的统辖时而喜爱海,时而享受陆;年轻的水瓶倾泻他的水流,这里洒下水的光线,那里洒下土的光线。这些事多么细小,却会报答你的辛劳,
Fruitful and Barren Signs
[多产与不育的星座]
Reason's in All, and nothing's fram'd in vain: / The Crab is fruitful, and a numerous Brood / Fierce Scorpio yields, and Pisces fill the Flood; / The Lion's barren, and no Vows can gain / The Maid; Aquarius spends his Youth in vain, / Ah too remov'd, too far disjoyn'd to prove / The fruitful Pleasures of encreasing Love!
万物之中都有理性,没有什么是白造的:巨蟹多产,凶猛的天蝎生出众多的后代,双鱼充满河海;狮子不育,任何誓愿也赢不得处女;水瓶徒然消耗他的青春,唉,他离得太远、隔得太开,无法体验繁衍之爱的丰饶之乐!
'Twixt these two kinds a Third nor fruitful Beams / Nor Barren spreads, but joyns the two Extreams: / The Goat all Beast above, and Fish below, / The Centaur glorious in his Cretian Bow, / The Scales that Autumn's Equinoctial rule, / The Twins, and Ram, to whom we join the Bull.
在这两类之间,有第三类,既不洒下多产的光线,也不洒下不育的光线,而是连接两个极端:上身全是兽、下身是鱼的山羊,手持克里特之弓而荣耀的半人马,主宰秋分的天秤,双子,以及白羊,我们再把金牛与它们归在一起。
Nor must you think it undesign'd, a Cast / of busie Nature as she wrought in haste;
你也不要以为这是无意的,是忙碌的自然匆忙工作时的随手一掷:
Signs of different Postures
[姿态各异的星座]
That some shew running Postures in their frame, / The Lion, Centaur, and the turning Ram; / Erected some, Aquarius rears his Head, / The Twins are upright, and the pious Maid: / Some crouching Signs a lazy Posture show, / Thus Taurus bends, as wearied by the Plough;
有些在形体上显出奔跑的姿态:狮子、半人马和回头的白羊;有些直立:水瓶昂起头,双子直立,虔诚的处女也是;有些是蹲伏的星座,显出懒散的姿态:金牛就这样弯着身子,仿佛被犁累坏了;
The Scales press'd down appear, and Caper lies / By his own Frost contracted in the Skies: / The Crab and Scorpio flat are found, they show / The Postures there which they maintain below, / Whilst watry Pisces low, and gently glide / In Streams divided, always on their side. / But search minutely, and you find a Maim
天秤显得被压低,摩羯被自己的霜冻缩成一团,躺在天上:巨蟹和天蝎平伏着,它们在那里显出的姿态,正是在下界保持的姿态;而水中的双鱼低低地、轻轻地分在两道水流中滑行,总是侧着身子。但仔细搜寻,你会发现残缺
Maimed and intire Signs
[残缺与完整的星座]
In many Signs, the mighty Bull is lame, / His Leg turns under, Scorpio's Claws are lost / In Libra's Scales, nor can the Centaur boast / A Form compleat, tho' we distinctly find / One Eye, the other's lost, and Cancer's blind.
存在于许多星座:强大的金牛跛了脚,他的腿折在身下;天蝎的螯失落在天秤的秤盘里;半人马也不能夸耀形体完整,因为我们清楚地看到他只有一只眼,另一只失去了;巨蟹则是瞎的。
Thus Heaven to wretched Mortals sends Relief / By these Examples it corrects our Grief, / Since Signs, on which our Fates depend, do share / The like Misfortunes, which we grieve to bear. / The different Seasons likewise share the Signs,
天就这样给可怜的凡人送来安慰,用这些例子纠正我们的悲伤,因为我们的命运所依赖的星座,也分担我们难以忍受的同样的不幸。不同的季节也分配星座,
Season Signs
[季节星座]
From Pisces Spring, and Summer from the Twins, / From Centaur Winter, Autumn from the Maid begins: / Each hath three Signs, and as the Seasons fight / In the Years Round, so these lie opposite. / Nor is't sufficient that my Muse defines
春天从双鱼开始,夏天从双子开始,冬天从半人马开始,秋天从处女开始:每个季节有三个星座,正如季节在一年的循环中相争,这些星座也彼此相对。可我的诗神仅仅说明
大意与图解点开
🔎 大意:星座又分陆、水、水陆兼;多产、不育、居中;奔跑、直立、蹲伏、平伏、侧游;残缺者四座;四季各三座,从双体星座起算。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 陆地 / 水中的星座 | Earth / Water Signs | 属陆或属海 |
| 多产 / 不育 | Fruitful / Barren | 主子嗣多寡 |
| 残缺星座 | Maimed Signs | 形象有缺损的星座 |
| 季节星座 | Season Signs | 四季各领三座 |
| 克里特之弓 | Cretian Bow | 以弓箭闻名的克里特 |
🧭 图解与讲解
本单元一口气讲了五种分类,表一把它们合在一张表里。陆与水:巨蟹、双鱼属水;白羊、金牛曾领畜群,喜爱陆地,狮子、天蝎虽是猛兽,也在陆上;双子、射手、天秤、处女同属陆;摩羯(山羊身、鱼尾)与水瓶(倾水之人)水陆兼属。
| 星座 | 陆 / 水 | 子嗣 | 姿态 | 残缺 | 季节 |
|---|---|---|---|---|---|
| 白羊 | 陆 | 居中 | 奔跑(回头) | — | 春 |
| 金牛 | 陆 | 居中 | 蹲伏 | 跛足 | 春 |
| 双子 | 陆 | 居中 | 直立 | — | 夏 |
| 巨蟹 | 水 | 多产 | 平伏 | 瞎 | 夏 |
| 狮子 | 陆 | 不育 | 奔跑 | — | 夏 |
| 处女 | 陆 | 不育 | 直立 | — | 秋 |
| 天秤 | 陆 | 居中 | 被压低 | — | 秋 |
| 天蝎 | 陆 | 多产 | 平伏 | 失螯 | 秋 |
| 射手 | 陆 | 居中 | 奔跑 | 一眼 | 冬 |
| 摩羯 | 水陆兼 | 居中 | 蜷卧 | — | 冬 |
| 水瓶 | 水陆兼 | 不育 | 直立 | — | 冬 |
| 双鱼 | 水 | 多产 | 侧游 | — | 春 |
〔图〕四季各领三座,从双体星座起算:双鱼起春,双子起夏,处女起秋,射手起冬
子嗣:巨蟹、天蝎、双鱼多产,正是三个水象星座,古人取鱼蟹蝎多子之象;狮子、处女、水瓶不育,处女是贞女,水瓶「离得太远」;其余六座居中。后世占星论子女时以水象为「多产星座」、以狮子处女等为「不育星座」,源头正在这里。姿态:奔跑的狮子、射手、回头的白羊,直立的水瓶、双子、处女,蹲伏的金牛、天秤、摩羯,平伏的巨蟹、天蝎,侧游的双鱼。
残缺:金牛只画出前半身,腿折在身下;天蝎的螯被划给了天秤(古称天秤为「螯」);射手只有一只眼;巨蟹是瞎的。诗人的感想很动人:连我们命运所依的星座也有残缺,凡人的不幸便可以得到安慰。后世占星以这些「残缺星座」论身体缺陷与死亡,托勒密《四书》也有「残缺不全的星座」之说。
最后是季节(图二):四季各领三座,都从双体星座起算,这与上一单元「双体星座跨两季」相呼应。在这种算法里,季节的中心落在回归星座上,与今日以分至点为季节起点的说法不同。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 陆地 / 水中的星座 | Earth / Water Signs | 属陆或属海 |
| 多产 / 不育 | Fruitful / Barren | 主子嗣多寡 |
| 残缺星座 | Maimed Signs | 形象有缺损的星座 |
| 季节星座 | Season Signs | 四季各领三座 |
| 克里特之弓 | Cretian Bow | 以弓箭闻名的克里特 |
🧭 图解与讲解
本单元一口气讲了五种分类,表一把它们合在一张表里。陆与水:巨蟹、双鱼属水;白羊、金牛曾领畜群,喜爱陆地,狮子、天蝎虽是猛兽,也在陆上;双子、射手、天秤、处女同属陆;摩羯(山羊身、鱼尾)与水瓶(倾水之人)水陆兼属。
| 星座 | 陆 / 水 | 子嗣 | 姿态 | 残缺 | 季节 |
|---|---|---|---|---|---|
| 白羊 | 陆 | 居中 | 奔跑(回头) | — | 春 |
| 金牛 | 陆 | 居中 | 蹲伏 | 跛足 | 春 |
| 双子 | 陆 | 居中 | 直立 | — | 夏 |
| 巨蟹 | 水 | 多产 | 平伏 | 瞎 | 夏 |
| 狮子 | 陆 | 不育 | 奔跑 | — | 夏 |
| 处女 | 陆 | 不育 | 直立 | — | 秋 |
| 天秤 | 陆 | 居中 | 被压低 | — | 秋 |
| 天蝎 | 陆 | 多产 | 平伏 | 失螯 | 秋 |
| 射手 | 陆 | 居中 | 奔跑 | 一眼 | 冬 |
| 摩羯 | 水陆兼 | 居中 | 蜷卧 | — | 冬 |
| 水瓶 | 水陆兼 | 不育 | 直立 | — | 冬 |
| 双鱼 | 水 | 多产 | 侧游 | — | 春 |
子嗣:巨蟹、天蝎、双鱼多产,正是三个水象星座,古人取鱼蟹蝎多子之象;狮子、处女、水瓶不育,处女是贞女,水瓶「离得太远」;其余六座居中。后世占星论子女时以水象为「多产星座」、以狮子处女等为「不育星座」,源头正在这里。姿态:奔跑的狮子、射手、回头的白羊,直立的水瓶、双子、处女,蹲伏的金牛、天秤、摩羯,平伏的巨蟹、天蝎,侧游的双鱼。
残缺:金牛只画出前半身,腿折在身下;天蝎的螯被划给了天秤(古称天秤为「螯」);射手只有一只眼;巨蟹是瞎的。诗人的感想很动人:连我们命运所依的星座也有残缺,凡人的不幸便可以得到安慰。后世占星以这些「残缺星座」论身体缺陷与死亡,托勒密《四书》也有「残缺不全的星座」之说。
最后是季节(图二):四季各领三座,都从双体星座起算,这与上一单元「双体星座跨两季」相呼应。在这种算法里,季节的中心落在回归星座上,与今日以分至点为季节起点的说法不同。
The various Configurations or Aspects
The Kinds, and Figures of the Single Signs, / They work by Compact, they their Beams unite / To mutual Aid determin'd by their site. / From Aries rightways draw a Line, to end
Trines
In the same Round, and let that Line subtend / An equal Triangle; now since the Lines / Must three times touch the Round, and meet three Signs,
See Fig. 1
Where e're they meet in Angles those are Trines. / Because they are at equal distance seen / On either side, and leave three Signs between.
Thus Aries sees on either side below / The Lion roar, and Centaur draw his Bow: / The Bull with Caper and the Maid are found / In Trine: Thus fix the others of the Round.
Signs Left and Right are in the Trines agreed, / The Left still follow, and the Right precede; / The Maid is Left, and Caper to the Bull / Is Right: Thus fix the others by this Rule.
But more, in Quadrates, not in Trines alone
Quadrates
Signs Right and Left are by Position shown;
See Fig. 2
In Quadrates: which to know, the Round divide / By Squares exactly equal on each side; / Where Angles close the Perpendiculars / There lie the Signs agreeing in the Squares.
To give an Instance then, observe the Site, / The narrow Goat sees Libra on the Right, / Oth' Left the Ram, at equal distance lies / The Crab, and on the Left sees Libra rise, / To make a Square agreeing in the Skies.
This single Instance all the rest declares, / And shews that twice six Signs compose three Squares. / But now should any think their Skill designs
翻译点开
The various Configurations or Aspects
[星座的种种格局或相位]
The Kinds, and Figures of the Single Signs, / They work by Compact, they their Beams unite / To mutual Aid determin'd by their site. / From Aries rightways draw a Line, to end
单个星座的种类和形象还不够;它们凭盟约起作用,结合它们的光线,按位置所定的方式互相援助。从白羊向右画一条线,终止
Trines
[三分]
In the same Round, and let that Line subtend / An equal Triangle; now since the Lines / Must three times touch the Round, and meet three Signs,
在同一个圆周上,让这条线成为一个等边三角形的一边;既然这些线必定三次触到圆周、遇到三个星座,
See Fig. 1
[见原书图一]
Where e're they meet in Angles those are Trines. / Because they are at equal distance seen / On either side, and leave three Signs between.
不论它们在哪里交成角,那些就是三分;因为从两边看,它们相隔的距离相等,中间隔着三个星座。
Thus Aries sees on either side below / The Lion roar, and Centaur draw his Bow: / The Bull with Caper and the Maid are found / In Trine: Thus fix the others of the Round.
所以白羊在两边下方看见咆哮的狮子和拉弓的半人马:金牛与摩羯、处女成三分:其余各座照此确定。
Signs Left and Right are in the Trines agreed, / The Left still follow, and the Right precede; / The Maid is Left, and Caper to the Bull / Is Right: Thus fix the others by this Rule.
三分之中,星座的左方与右方是这样约定的:左方总是后随的,右方总是前导的;处女对金牛是左,摩羯是右:其余照此法则确定。
But more, in Quadrates, not in Trines alone
不仅在三分中,在四分中也一样,
Quadrates
[四分]
Signs Right and Left are by Position shown;
星座的右方与左方由位置显示;
See Fig. 2
[见原书图二]
In Quadrates: which to know, the Round divide / By Squares exactly equal on each side; / Where Angles close the Perpendiculars / There lie the Signs agreeing in the Squares.
在四分中,要知道这一点,就用四边完全相等的正方形把圆周分开;在垂直线交成角的地方,就是彼此成四分的星座。
To give an Instance then, observe the Site, / The narrow Goat sees Libra on the Right, / Oth' Left the Ram, at equal distance lies / The Crab, and on the Left sees Libra rise, / To make a Square agreeing in the Skies.
举个例子,看看位置:狭小的山羊在右方看见天秤,在左方看见白羊;巨蟹与它相隔相等的距离,它在左方看见天秤升起,组成天上相合的一个四方。
This single Instance all the rest declares, / And shews that twice six Signs compose three Squares. / But now should any think their Skill designs
这一个例子就说明了其余一切,表明十二个星座组成三个四方。但如果有人以为他的技艺能
大意与图解点开
🔎 大意:星座以光线结盟:等边三角的三顶点为三分,中隔三座;正方形四顶点为四分。左方在后、右方在前,十二座成四个三分、三个四方。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 相位 | Aspects | 星座间的几何关系 |
| 三分 | Trines | 相隔一百二十度 |
| 四分 | Quadrates / Squares | 相隔九十度 |
| 左方 | Left | 后随的一方 |
| 右方 | Right | 前导的一方 |
🧭 图解与讲解
星座不只各有性质,还彼此「结盟」:相隔一定距离的星座,以光线互相援助,这就是相位。第一种是三分:从白羊画一条线,作圆的内接等边三角形,三顶点所在的星座互成三分,彼此相隔一百二十度、中间隔着三个星座。白羊与狮子、射手;金牛与处女、摩羯(图一)。按此推下去,十二星座分为四组三分,即后世的火、土、风、水四象三方。
〔图〕三分是内接等边三角形,四分是内接正方形
| 例 | 右方(前导) | 左方(后随) |
|---|---|---|
| 金牛的三分 | 摩羯 | 处女 |
| 白羊的三分 | 射手 | 狮子 |
| 摩羯的四分 | 天秤 | 白羊 |
| 巨蟹的四分 | 白羊 | 天秤 |
第二种是四分:作内接正方形,四顶点的星座互成四分,相隔九十度。诗人的例子是摩羯、天秤、巨蟹、白羊:这正是四个回归星座。十二座「组成三个四方」:回归星座、固定星座、双体星座各成一个四方。
左方与右方(表二):「左方总是后随的,右方总是前导的」。按星座顺序(白羊、金牛、双子……)往前数是后随,往回数是前导。所以金牛看处女(往前数四座)是左,看摩羯(往回数四座)是右。托勒密《四书》与后世占星都沿用「右方相位」「左方相位」这对术语。原书的图一、图二即画三分与四分,本站以图一代替。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 相位 | Aspects | 星座间的几何关系 |
| 三分 | Trines | 相隔一百二十度 |
| 四分 | Quadrates / Squares | 相隔九十度 |
| 左方 | Left | 后随的一方 |
| 右方 | Right | 前导的一方 |
🧭 图解与讲解
星座不只各有性质,还彼此「结盟」:相隔一定距离的星座,以光线互相援助,这就是相位。第一种是三分:从白羊画一条线,作圆的内接等边三角形,三顶点所在的星座互成三分,彼此相隔一百二十度、中间隔着三个星座。白羊与狮子、射手;金牛与处女、摩羯(图一)。按此推下去,十二星座分为四组三分,即后世的火、土、风、水四象三方。
| 例 | 右方(前导) | 左方(后随) |
|---|---|---|
| 金牛的三分 | 摩羯 | 处女 |
| 白羊的三分 | 射手 | 狮子 |
| 摩羯的四分 | 天秤 | 白羊 |
| 巨蟹的四分 | 白羊 | 天秤 |
第二种是四分:作内接正方形,四顶点的星座互成四分,相隔九十度。诗人的例子是摩羯、天秤、巨蟹、白羊:这正是四个回归星座。十二座「组成三个四方」:回归星座、固定星座、双体星座各成一个四方。
左方与右方(表二):「左方总是后随的,右方总是前导的」。按星座顺序(白羊、金牛、双子……)往前数是后随,往回数是前导。所以金牛看处女(往前数四座)是左,看摩羯(往回数四座)是右。托勒密《四书》与后世占星都沿用「右方相位」「左方相位」这对术语。原书的图一、图二即画三分与四分,本站以图一代替。
Cautions concerning Squares and Trines
The Squares aright, and well describes the Trines, / And that they hit the Rule when e're they give / Four Signs to Squares, to Trines allotting Five; / And thence presume to guess what mutual Aid / The Signs afford, they'll find their Work betray'd:
For though on every side five Signs are found / To make the several Trines that fill the Round, / Yet Births in each Fifth Sign no Fates design / To share th'united Influence of the Trine.
They lose the Thing, though they preserve the Name, / For Place and Number still oppose their Claim: / For since the Round where Phoebus guides his Reins / Three hundred, and thrice twenty parts contains, / One third of those, as we the Round divide / By Trines, to every Trine must make one side;
But Sign apply to Sign, not Part to Part, / This Number's lost; and therefore false the Art.
For tho Three Signs appear to interpose / Between the Two in which the Angles close; / Yet take the Scheme as 'tis expos'd to sight, / And joyn the utmost parts of Left and Right;
Then count the number; on the slightest view / You'll quickly find it much exceeds the true: / Thrice fifty parts it holds, and thus one Line / Defrauds the other, and destroys the Trine; / And therefore though the several Signs retain / The Name of Trines, they claim the Parts in vain.
The like Mistake, when you design a Square, / Thy Art may baffle, and elude thy Care; / For as the Round we by Degrees divide / To every Quadrate Ninety make one side: / Now from the first from which begins the Line, / Toth' last degree of the succeeding Sign / If you count on, twice sixty parts prepare / To crowd upon thee, and deform the Square.
Or from preceding Signs last parts descend / To Signs succeeding, let the Reckoning end / I'th' first Degree of those: the space confines / But sixty parts, the number of Two Signs; / Thus count from Fourth to Fourth, Degrees too few, / Or else too many will thy Work pursue, / Elude thy Skill, and prove the Scheme untrue.
Then take Advice, nor from my Rules depart, / Nor think thy Figures well design'd by Art, / 'Cause Four in Squares, Three equal Lines in Trines / In Angles meeting there divide the Signs; / For in all Trines the single sides require / Sixscore Degrees to make the Scheme intire / Squares ninety ask: but more or less proclaim / The Figure faulty, and destroy the Frame.
And where the several Lines in Angles close, / They there the Trines, or else the Squares dispose.
These mutual Aid by Nature's Laws convey, / And jointly act with an agreeing Ray.
And therefore every Birth, that Squares or Trines / Enjoys, not always carries all the Lines; / And tho' the Signs the name of Squares may gain, / Or Trines, they never shall their Force obtain: / They cannot jointly act, their Rays unite, / Tho Trines they seem, and shew like Squares to sight:
For wide the difference, whether those Degrees, / The Line takes up, which to it Art decrees; / Or from the Numbers, which the Circle fill, / Detracting somewhat, it eludes thy Skill: / For then of Signs too many or too few / It will possess; and make the Scheme untrue.
Thus far of these: But now expect to share / More vigorous Influence from the Trine than Square;
翻译点开
Cautions concerning Squares and Trines
[关于四分与三分的告诫]
The Squares aright, and well describes the Trines, / And that they hit the Rule when e're they give / Four Signs to Squares, to Trines allotting Five; / And thence presume to guess what mutual Aid / The Signs afford, they'll find their Work betray'd:
正确地画出四分,好好地描出三分,以为只要给四分算四个星座、给三分算五个星座,就合乎法则,并由此推测星座相互给予怎样的援助,他会发现他的工作出卖了他:
For though on every side five Signs are found / To make the several Trines that fill the Round, / Yet Births in each Fifth Sign no Fates design / To share th'united Influence of the Trine.
因为虽然每一边都数到五个星座,构成充满圆周的各个三分,可是生在每个第五个星座里的人,命运并不注定分享三分的联合影响。
They lose the Thing, though they preserve the Name, / For Place and Number still oppose their Claim: / For since the Round where Phoebus guides his Reins / Three hundred, and thrice twenty parts contains, / One third of those, as we the Round divide / By Trines, to every Trine must make one side;
他们保存了名称,却失去了实质,因为位置与度数始终反对他们的主张:既然福玻斯驾车所行的圆周包含三百六十分,我们以三分分割圆周时,每个三分的一边必须是其中的三分之一;
But Sign apply to Sign, not Part to Part, / This Number's lost; and therefore false the Art.
但若是星座对星座、而不是度对度,这个数目就失去了;所以这种技艺是错的。
For tho Three Signs appear to interpose / Between the Two in which the Angles close; / Yet take the Scheme as 'tis expos'd to sight, / And joyn the utmost parts of Left and Right;
因为虽然两个成角的星座之间看来隔着三个星座,可是照图形所展示的样子,把左方与右方最远的部分连起来,
Then count the number; on the slightest view / You'll quickly find it much exceeds the true: / Thrice fifty parts it holds, and thus one Line / Defrauds the other, and destroys the Trine; / And therefore though the several Signs retain / The Name of Trines, they claim the Parts in vain.
然后数一数:只要稍稍一看,你很快就会发现它远远超过真数:它有一百五十分,这样一条线侵占了另一条,毁了三分;所以,虽然那些星座保留着三分之名,它们对度数的要求却是徒劳。
The like Mistake, when you design a Square, / Thy Art may baffle, and elude thy Care; / For as the Round we by Degrees divide / To every Quadrate Ninety make one side: / Now from the first from which begins the Line, / Toth' last degree of the succeeding Sign / If you count on, twice sixty parts prepare / To crowd upon thee, and deform the Square.
你画四分时,同样的错误会挫败你的技艺,使你的用心落空;因为我们以度数分割圆周时,每个四分要以九十度为一边:如果你从线开始的那个星座的第一度,一直数到下一个四分星座的最后一度,就会有一百二十分涌向你,毁坏四方。
Or from preceding Signs last parts descend / To Signs succeeding, let the Reckoning end / I'th' first Degree of those: the space confines / But sixty parts, the number of Two Signs; / Thus count from Fourth to Fourth, Degrees too few, / Or else too many will thy Work pursue, / Elude thy Skill, and prove the Scheme untrue.
或者从前一个星座的最后几度下行到后一个星座,让计数止于后者的第一度:这段距离只有六十分,即两个星座之数;所以从第四座数到第四座,度数要么太少,要么太多,会妨碍你的工作,挫败你的技艺,证明图形不真。
Then take Advice, nor from my Rules depart, / Nor think thy Figures well design'd by Art, / 'Cause Four in Squares, Three equal Lines in Trines / In Angles meeting there divide the Signs; / For in all Trines the single sides require / Sixscore Degrees to make the Scheme intire / Squares ninety ask: but more or less proclaim / The Figure faulty, and destroy the Frame.
那么接受劝告,不要背离我的法则,也不要因为四分里有四条、三分里有三条等长的线交成角、分开星座,就以为你的图形画得合乎技艺;因为在一切三分中,每一边都需要一百二十度,图形才完整;四分需要九十度:多了或少了,都表明图形有错,毁了框架。
And where the several Lines in Angles close, / They there the Trines, or else the Squares dispose.
在各条线交成角的地方,它们就在那里安排三分,或者四分。
These mutual Aid by Nature's Laws convey, / And jointly act with an agreeing Ray.
这些按自然的法则相互援助,以相合的光线共同作用。
And therefore every Birth, that Squares or Trines / Enjoys, not always carries all the Lines; / And tho' the Signs the name of Squares may gain, / Or Trines, they never shall their Force obtain: / They cannot jointly act, their Rays unite, / Tho Trines they seem, and shew like Squares to sight:
所以,每一个享有四分或三分的出生,并不总是带有全部的线;虽然那些星座可以得到四分或三分之名,却永远得不到它们的力量:它们不能共同作用、结合光线,尽管它们看起来像三分、像四分:
For wide the difference, whether those Degrees, / The Line takes up, which to it Art decrees; / Or from the Numbers, which the Circle fill, / Detracting somewhat, it eludes thy Skill: / For then of Signs too many or too few / It will possess; and make the Scheme untrue.
因为这差别很大:线所占的度数,是技艺规定给它的那些度数,还是从充满圆周的数目中减去了一些,使它躲过你的技艺:因为那样它就会占有太多或太少的星座,使图形不真。
Thus far of these: But now expect to share / More vigorous Influence from the Trine than Square;
这些就说到这里:但现在可以指望,三分的影响比四分更有力;
大意与图解点开
🔎 大意:三分须足一百二十度、四分须足九十度;只按星座数,三分可宽到一百五十、窄到九十,四分可宽到一百二十、窄到六十,便徒有其名。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 分 | parts | 即度,一周三百六十 |
| 度对度 | Part to Part | 按度数计相位 |
| 星座对星座 | Sign to Sign | 按整座计相位 |
| 图形 | Scheme / Figure | 相位所成的几何形 |
🧭 图解与讲解
这是全卷最有技术性的一段告诫。初学者以为:数星座就够了,从白羊数到狮子共五座(含首尾),就是三分;数到巨蟹共四座,就是四分。诗人说这样「工作出卖了他」:生在「第五个星座」的人,未必分享三分的影响。
〔图〕白羊零度到狮子末度是一百五十度:按星座算是三分,按度数算已不成三分
| 相位 | 应有度数 | 按星座数时的极端 | 诗人的结论 |
|---|---|---|---|
| 三分 | 一百二十度 | 首度到末度:一百五十度;末度到首度:九十度 | 徒有三分之名 |
| 四分 | 九十度 | 首度到末度:一百二十度;末度到首度:六十度 | 徒有四分之名 |
原因在度数(表二):一周三百六十度,三分的一边须是一百二十度,四分须是九十度。若从白羊第一度数到狮子最后一度,已有一百五十度;反过来从前一座最后一度数到后一座第一度,只有九十度。四分也一样,宽可到一百二十度,窄只有六十度。所以只有「度对度」相隔恰好一百二十或九十度,才算真正的三分、四分(图一)。
这是西方占星史上很早的「按度计相位」的论述。托勒密《四书》论相位时多按星座(整宫)说,但在推运中按度数计;后世则发展出「容许度」的概念,允许相位在一定度数内成立。曼尼利乌斯的立场更严,他要求精确的度数。本单元最后一句「三分的影响比四分更有力」引出下一页:三分与四分的比较,以及六分、对冲。
📖 术语
| 术语 | 英文原词 | 意思 |
|---|---|---|
| 分 | parts | 即度,一周三百六十 |
| 度对度 | Part to Part | 按度数计相位 |
| 星座对星座 | Sign to Sign | 按整座计相位 |
| 图形 | Scheme / Figure | 相位所成的几何形 |
🧭 图解与讲解
这是全卷最有技术性的一段告诫。初学者以为:数星座就够了,从白羊数到狮子共五座(含首尾),就是三分;数到巨蟹共四座,就是四分。诗人说这样「工作出卖了他」:生在「第五个星座」的人,未必分享三分的影响。
| 相位 | 应有度数 | 按星座数时的极端 | 诗人的结论 |
|---|---|---|---|
| 三分 | 一百二十度 | 首度到末度:一百五十度;末度到首度:九十度 | 徒有三分之名 |
| 四分 | 九十度 | 首度到末度:一百二十度;末度到首度:六十度 | 徒有四分之名 |
原因在度数(表二):一周三百六十度,三分的一边须是一百二十度,四分须是九十度。若从白羊第一度数到狮子最后一度,已有一百五十度;反过来从前一座最后一度数到后一座第一度,只有九十度。四分也一样,宽可到一百二十度,窄只有六十度。所以只有「度对度」相隔恰好一百二十或九十度,才算真正的三分、四分(图一)。
这是西方占星史上很早的「按度计相位」的论述。托勒密《四书》论相位时多按星座(整宫)说,但在推运中按度数计;后世则发展出「容许度」的概念,允许相位在一定度数内成立。曼尼利乌斯的立场更严,他要求精确的度数。本单元最后一句「三分的影响比四分更有力」引出下一页:三分与四分的比较,以及六分、对冲。
原文为公有领域古籍;翻译、印象画与图文解读由 AI 辅助生成,鲲侯审校。