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《天文学》 · 卷三

卷三(一) 卷三提要、不唱的旧题与命运的十二份(上)

卷三提要;诗人推开神话与史诗,走艰深的新路;自然把人的命运分成十二份,随生时落入星座;第一至第五份。

Manilius begins this Third Book as he did the Second, reckoning up and slighting the several Subjects which have imploy'd other Poets, and declaring his Design to be new and difficult: Then he proceeds to shew, 1. That the Twelve Signs of the Zodiack are the chief Disposers, and principal Governours of Fortunes. 2. That there are Twelve Lots belonging to these Twelve Signs. 3. He names and describes these Lots: The first is Fortune: The Second Warfare and Travelling: The Third, Civil Employments: The Fourth, Pleadings, and all the concerns of the Bar: The Fifth, Marriage Acquaintance, Guests:

The Sixth, Plenty, Wealth, and the means of preserving it. The Seventh, Dangers: The Eighth, Nobility, Honour, Reputation: The Ninth, Children, Education. The Tenth, Manners, Institution, Family. The Eleventh, state of Health, Physick: The Twelfth, Wishes, and the ends of them. 4. He teaches how to suit these Lots, Labours, or Athla to the several Signs, when the Birth belongs either to Day, or Night. 5. He proposeth Rules how to find the Horoscope. 6. Refuting the Method prescrib'd by the Chaldaeans. 7.

And shewing how to find the different lengths of Days and Nights, together with the several Risings and Settings of the Signs in order to find the Horoscope. 8. He resumes the Dispute against the Chaldaeans, and subjoins an Account of the several lengths of Days and Nights, in the three different Positions of the Sphere, Direct, Oblique, and Parallel. 9. He proposes another way to find the time of the Signs Rising and Setting. 10. He particularly Discourses of the Days Encrease from Capricorn to Cancer. 11. He shews what are the proper Years.

Months, Days, and Hours of the Signs, and Confutes the Opinion of some Astrologers concerning them. 12. He sings how many Years belong to each Sign, and station. 13. And Concludes the Book with an Account of the Tropick Signs. I am not to Answer for the Astronomy it is enough if I have made the Poet speak intelligible English.

翻译点开

Manilius begins this Third Book as he did the Second, reckoning up and slighting the several Subjects which have imploy'd other Poets, and declaring his Design to be new and difficult: Then he proceeds to shew, 1. That the Twelve Signs of the Zodiack are the chief Disposers, and principal Governours of Fortunes. 2. That there are Twelve Lots belonging to these Twelve Signs. 3. He names and describes these Lots: The first is Fortune: The Second Warfare and Travelling: The Third, Civil Employments: The Fourth, Pleadings, and all the concerns of the Bar: The Fifth, Marriage Acquaintance, Guests:

曼尼利乌斯开始这第三卷,就像开始第二卷那样,先历数并轻视别的诗人所从事的种种题材,宣称自己的计划新颖而艰难:然后着手说明:一、黄道十二星座是命运的首要分配者与主要主管者;二、有十二份属于这十二个星座;三、他列出这些份的名称并加以描述:第一份是福运;第二份是征战与远行;第三份是公务;第四份是诉讼及法庭的一切事务;第五份是婚姻、相识、宾客:

The Sixth, Plenty, Wealth, and the means of preserving it. The Seventh, Dangers: The Eighth, Nobility, Honour, Reputation: The Ninth, Children, Education. The Tenth, Manners, Institution, Family. The Eleventh, state of Health, Physick: The Twelfth, Wishes, and the ends of them. 4. He teaches how to suit these Lots, Labours, or Athla to the several Signs, when the Birth belongs either to Day, or Night. 5. He proposeth Rules how to find the Horoscope. 6. Refuting the Method prescrib'd by the Chaldaeans. 7.

第六份是丰足、财富与保有财富的手段;第七份是危难;第八份是门第、荣誉、名声;第九份是子女与教养;第十份是品行、规矩与家室;第十一份是健康状况与医药;第十二份是愿望及其结果。四、他教人在生时属昼或属夜时,怎样把这些份——即「劳作」或「阿特拉」——配给各个星座;五、他提出求上升点的法则;六、驳斥迦勒底人所定的方法;七、

And shewing how to find the different lengths of Days and Nights, together with the several Risings and Settings of the Signs in order to find the Horoscope. 8. He resumes the Dispute against the Chaldaeans, and subjoins an Account of the several lengths of Days and Nights, in the three different Positions of the Sphere, Direct, Oblique, and Parallel. 9. He proposes another way to find the time of the Signs Rising and Setting. 10. He particularly Discourses of the Days Encrease from Capricorn to Cancer. 11. He shews what are the proper Years.

并说明怎样求出昼夜的不同长短,以及各星座的升起与沉没,以便求出上升点;八、他重拾对迦勒底人的辩驳,并附述天球在正、斜、平行三种不同位置下昼夜的种种长短;九、他提出求星座升落时间的另一种方法;十、他专门论述从摩羯到巨蟹白昼的增长;十一、他说明各星座所属的年、

Months, Days, and Hours of the Signs, and Confutes the Opinion of some Astrologers concerning them. 12. He sings how many Years belong to each Sign, and station. 13. And Concludes the Book with an Account of the Tropick Signs. I am not to Answer for the Astronomy it is enough if I have made the Poet speak intelligible English.

月、日与时辰,并驳斥某些星占家对此的意见;十二、他歌唱每个星座与每个位置给予多少年;十三、以论回归星座结束本卷。天文学上的事我不负责:只要我让诗人说出了明白易懂的英语,就够了。

大意与图解点开

🔎 大意:卷三提要十三项:星座主命运,配十二份;昼夜生时的配法;求上升点、驳迦勒底人;昼夜长短;星座的年月日时与寿数;回归星座。

📖 术语

术语英文原词意思
份Lots命运被分成的十二份
阿特拉Athla希腊语「劳作、竞赛」
上升点Horoscope东方地平上的一点
迦勒底人Chaldaeans巴比伦的星占家

🧭 图解与讲解

卷三的提要依旧出自克里奇。他先指出曼尼利乌斯照卷二的老办法开篇:先把别的诗人写过的题目数落一遍,再宣称自己的题目新而难。然后列出十三项(表一)。卷二讲的是星座的性质、相位与宫位,卷三转向「怎样用」:命运被分成十二份,怎样按出生时刻配到星座上;配之前先要求出上升点,于是又要讲昼夜长短、星座升起需要多久;最后讲各星座、各宫位给人多少年寿。

卷三几乎全是计算:份的配置、上升点、升落时间、寿数
提要项目内容本站所在页
一至三十二星座主命运;十二份的名称:福运、征战、公务、诉讼、婚姻……愿望卷三(一)、(二)
四昼生、夜生时怎样把十二份配给星座卷三(二)
五至八求上升点的法则;驳迦勒底人「每座两小时」之说;昼夜长短卷三(二)、(三)
九、十求星座升落时间的另一法;从摩羯到巨蟹白昼的增长卷三(三)、(四)
十一各星座所属的年、月、日、时,驳另一派意见卷三(四)
十二、十三各星座、各位置给予的寿数;回归星座卷三(四)

「命运的十二份」(athla,拉丁文 sortes)是曼尼利乌斯独有的体系:希腊语 athla 原指竞赛、劳作,诗中英译作 Lots 或 Labours,本站译作「份」。它与卷二末的十二宫位不同:宫位按门轴固定在天上,十二份则随每个人的出生时刻在黄道上整体移位。

提要末尾克里奇自己补了一句:「天文学上的事我不负责,只要我让诗人说出了明白易懂的英语就够了。」卷三的天文计算确有粗疏之处(下文会遇到),译者先把话说在前头。本站照克里奇的英译逐行翻译,遇到算法上说不通的地方,只在讲解里指出,不替诗人改算。

WHilst I new ways attempt my groveling Name / To raise from Earth, and wing my Flight for Fame; / Thro' Woods untrodden whilst I take my way, / Ye Muses lead; for I extend your Sway / To larger Bounds, and make the World obey.

No Heaven's besieg'd, no Thunder thrown from far / Intombs the Giants, and concludes the War: / No fierce Achilles tells brave Hector's Spoil, / Nor Priam bears the Hero to his Pile.

No barbarous Maid betrays her Father's trust, / Nor tears her Brother to secure her Lust.

No Bulls breath Fire, no Dragons guard the Prize. / Nor from the poysnous seed Arm'd Harvests rise: / No Youth returning here renews the Old, / Nor treacherous Presents carry Flame in Gold.

Nor will I sing the Babes Medea bore, / Got by much Guilt, but ah! destroy'd by more.

The Theban Siege, the highest Pride of Fame, / Nor how the Town by Thunder sav'd from Flame / Lost whilst it conquer'd; nor how Spartans fought / Round old Messana, shall enlarge my thought.

No Sons and Brothers shall be joyn'd in one, / Nor Mother bear a Granchild in a Son; / No Murder'd Babes shall feast their injur'd Sire, / Nor Days break off, and frighted Suns retire.

None shall defy the Sea, the Floods enslave, / Sail o're the Mountains, and walk o're the Wave: / No Asian Kings. And thee, O mighty Rome, / Thy Arms, thy Conquests, and thy World o'recome / Thy Laws, thy Wars, thy Leagues my Verse refuse, / Those claim the leisure of a greater Muse.

黑像陶瓶画:英雄驾驭两头喷火的铜牛,巨龙盘守金羊毛
没有公牛喷火
翻译点开

WHilst I new ways attempt my groveling Name / To raise from Earth, and wing my Flight for Fame; / Thro' Woods untrodden whilst I take my way, / Ye Muses lead; for I extend your Sway / To larger Bounds, and make the World obey.

当我尝试新的道路,要把我匍匐在地的名字从地上升起,振翅飞向声名;当我穿过无人走过的树林,缪斯们啊,请你们引路;因为我把你们的统辖扩展到更广的疆界,使世界服从。

No Heaven's besieg'd, no Thunder thrown from far / Intombs the Giants, and concludes the War: / No fierce Achilles tells brave Hector's Spoil, / Nor Priam bears the Hero to his Pile.

这里没有被围攻的天界,没有从远处掷出的雷霆埋葬巨人、结束战争;没有凶猛的阿喀琉斯述说从勇敢的赫克托耳身上剥下的战利品,也没有普里阿摩斯把这位英雄抬上火葬堆。

No barbarous Maid betrays her Father's trust, / Nor tears her Brother to secure her Lust.

没有野蛮的少女背叛父亲的信任,撕碎自己的兄弟以成全她的情欲。

No Bulls breath Fire, no Dragons guard the Prize. / Nor from the poysnous seed Arm'd Harvests rise: / No Youth returning here renews the Old, / Nor treacherous Presents carry Flame in Gold.

没有公牛喷火,没有巨龙看守奖品,也没有从毒种里长出披甲的庄稼:这里没有归来的青年使老人返老还童,也没有阴险的礼物在黄金里携带火焰。

Nor will I sing the Babes Medea bore, / Got by much Guilt, but ah! destroy'd by more.

我也不唱美狄亚所生的孩子:他们因许多罪孽而生,可是啊!又被更多的罪孽毁掉。

The Theban Siege, the highest Pride of Fame, / Nor how the Town by Thunder sav'd from Flame / Lost whilst it conquer'd; nor how Spartans fought / Round old Messana, shall enlarge my thought.

底比斯之围,那名声最高的骄傲;那座城怎样被雷霆从火焰中救出,却在得胜之时失去;斯巴达人怎样围着古老的墨萨那作战——这些都不会扩展我的思绪。

No Sons and Brothers shall be joyn'd in one, / Nor Mother bear a Granchild in a Son; / No Murder'd Babes shall feast their injur'd Sire, / Nor Days break off, and frighted Suns retire.

这里没有儿子与兄弟合为一人,也没有母亲在儿子身上生下孙儿;没有被杀的婴孩成为受辱的父亲的筵席,也没有白昼中断、受惊的太阳退回。

None shall defy the Sea, the Floods enslave, / Sail o're the Mountains, and walk o're the Wave: / No Asian Kings. And thee, O mighty Rome, / Thy Arms, thy Conquests, and thy World o'recome / Thy Laws, thy Wars, thy Leagues my Verse refuse, / Those claim the leisure of a greater Muse.

没有人藐视大海、奴役洪流,在群山之上航行,在波浪之上行走:没有亚细亚的国王。还有你,伟大的罗马啊,你的武力、你的征服、你所征服的世界,你的法律、你的战争、你的盟约,我的诗都推辞了,那些要留给一位更伟大的缪斯从容歌唱。

大意与图解点开

🔎 大意:诗人另辟新路:不唱巨人之战、特洛伊、阿尔戈英雄与美狄亚、底比斯、俄狄浦斯、阿特柔斯、薛西斯,也不唱罗马的功业。

📖 术语

术语英文原词意思
美狄亚Medea助伊阿宋取金羊毛的公主
墨萨那Messana此指斯巴达所攻的墨塞尼
底比斯Theban七将攻打之城
亚细亚的国王Asian Kings指薛西斯等东方君主

🧭 图解与讲解

卷三照卷二的办法开篇:先列出「不唱」的题目(表一)。依次是巨人之战;特洛伊战争的结局,即阿喀琉斯杀赫克托耳、普里阿摩斯赎尸火葬;阿尔戈英雄取金羊毛的故事:美狄亚背叛父亲,杀弟拖住追兵;伊阿宋驾驭喷火的铜牛,种下龙牙长出披甲的武士,巨龙看守金羊毛;美狄亚使伊阿宋的父亲返老还童,又用藏火的金冠烧死情敌,最后亲手杀死自己的孩子。

这些都是古代诗歌最常见的题材,诗人一一推开
诗句所指的神话或史事
被围攻的天界、埋葬巨人的雷霆巨人之战:朱庇特以雷霆击败众巨人
阿喀琉斯、赫克托耳、普里阿摩斯特洛伊战争:赫克托耳被杀,老王赎回遗体火葬
背叛父亲、撕碎兄弟的少女美狄亚助伊阿宋盗金羊毛,杀弟阻挡追兵
喷火的公牛、守宝的巨龙、披甲的庄稼伊阿宋取金羊毛的三道难关
返老还童的老人、黄金里的火焰美狄亚使伊阿宋之父复壮;以毒冠烧死情敌
美狄亚所生的孩子美狄亚为报复伊阿宋,亲手杀死两子
底比斯之围、雷霆救城七将攻底比斯,攻城者被雷霆击落,两兄弟同归于尽
斯巴达人围墨萨那斯巴达与墨塞尼亚人的战争
儿子与兄弟合为一人,母亲生孙俄狄浦斯娶母,所生子女又是他的兄弟姊妹
被杀的婴孩成为父亲的筵席、太阳退回阿特柔斯以兄弟之子设宴,太阳惊而倒行
藐视大海、在山上航行、在波上行走薛西斯架桥渡海、凿穿阿托斯山
伟大的罗马罗马的武功与法律,留给史诗

接着是底比斯的故事:七将攻城,攻城者被雷霆击落,城虽守住,守城的王却与兄弟同归于尽,所以说「在得胜之时失去」;俄狄浦斯娶母,所生之子既是儿子又是兄弟;阿特柔斯杀了兄弟堤厄斯忒斯的孩子做成筵席,太阳惊骇倒退。最后是波斯王薛西斯:他架桥渡赫勒斯滂、凿穿阿托斯山,所以说「在群山之上航行,在波浪之上行走」。

诗人连罗马的武功、法律也一并推辞,说那要留给「更伟大的缪斯」。这一段与卷二开头(卷二(一))同一用意:前人的题目再动人,也都被唱过了;他要的是无人走过的路,即用诗讲解命运的法则。开头一行「缪斯们啊,请你们引路」,也照应卷二所说「寻找新的泉源」。

Smooth Seas the Artless Sailer safely tries, / And Flowers undress'd in fruitful Gardens rise; / He works securely, who in Gold designs, / When e'en the rude unpolisht Metal Shines; / On specious Subjects common Wits compose, / For where the Matter takes, the Fancy flows;

And every vulgar Author writes with ease, / Secure of Credit, where the Themes can please.

This way some take to Fame: Thro' Words unknown, / And things abstruse my Muse goes boldly on, / Observes all Interchange of Times, compares / The fatal turns, and views the Leagues of Stars, / Things so remote, so intermixt, and wrought / With Parts in Parts; they are too fine for thought.

To know them is too much, but to explain / How great! to bind in Verse shews more than Man.

Then come, who e're thou art that bring'st a Mind / To know high Truth, and patient Thoughts to find; / Hear solid Reason, and go on to gain / True serious Knowledge, but neglect the vain: / No Kings at Aulis sworn, no tales of Troy / With Priam's tears, or Helen's fatal Joy, / Nor hope sweet Verse, and curious turns to find, / I'll leave thy Passions, and instruct thy Mind:

And tho' some Words of foreign Stamp appear, / Seem harsh, untun'd, uneasie to thy Ear; / This is the Subject's not the Writer's fault, / Some things are stiff, and will not yield to thought; / I must be plain: And if our Art hath found / Expressions proper, it neglects the Sound.

Thy Mind well purg'd from vainer Cares compose, / For now my Muse is eager to disclose, / The nicest Secrets; which observ'd, impart / Fate's Laws, and prove the surest Guides to Art.

翻译点开

Smooth Seas the Artless Sailer safely tries, / And Flowers undress'd in fruitful Gardens rise; / He works securely, who in Gold designs, / When e'en the rude unpolisht Metal Shines; / On specious Subjects common Wits compose, / For where the Matter takes, the Fancy flows;

平静的海上,不懂技艺的水手也能安然试航;不经修整的花朵也会在肥沃的园中开放;用黄金作设计的人工作起来稳妥,因为连未经琢磨的粗糙金属也会发光;平庸的才子们在动人的题目上写作,因为题材一讨人喜欢,想象就会流畅;

And every vulgar Author writes with ease, / Secure of Credit, where the Themes can please.

每一个凡俗的作者都写得轻松,只要题目讨人喜欢,信誉就有了保障。

This way some take to Fame: Thro' Words unknown, / And things abstruse my Muse goes boldly on, / Observes all Interchange of Times, compares / The fatal turns, and views the Leagues of Stars, / Things so remote, so intermixt, and wrought / With Parts in Parts; they are too fine for thought.

有些人走这条路去求名:而我的缪斯大胆地穿过陌生的词语与深奥的事物,观察时间的一切交替,比较命运的种种转折,审视星辰的盟约:这些事物如此遥远,如此交错,一部分套着一部分地织在一起;它们精细得思想都难以把握。

To know them is too much, but to explain / How great! to bind in Verse shews more than Man.

认识它们已经太难,而要解说它们,何其伟大!把它们缚进诗里,显出的就不止是凡人的能力。

Then come, who e're thou art that bring'st a Mind / To know high Truth, and patient Thoughts to find; / Hear solid Reason, and go on to gain / True serious Knowledge, but neglect the vain: / No Kings at Aulis sworn, no tales of Troy / With Priam's tears, or Helen's fatal Joy, / Nor hope sweet Verse, and curious turns to find, / I'll leave thy Passions, and instruct thy Mind:

那么来吧,不论你是谁,只要你带来一颗愿认识崇高真理的心,和肯耐心寻求的思想;请听坚实的道理,前进去获得真正严肃的知识,而把虚浮的东西丢开:这里没有在奥利斯立誓的国王,没有特洛伊的故事、普里阿摩斯的眼泪、海伦致命的欢乐,也别指望找到甜美的诗句和精巧的妙语,我不打动你的情感,只教导你的心智:

And tho' some Words of foreign Stamp appear, / Seem harsh, untun'd, uneasie to thy Ear; / This is the Subject's not the Writer's fault, / Some things are stiff, and will not yield to thought; / I must be plain: And if our Art hath found / Expressions proper, it neglects the Sound.

纵然有些带着外国印记的词语出现,在你耳中显得生硬、不和谐、不顺耳,那是题材的过错,不是作者的;有些事物是僵硬的,不肯屈从于思想;我必须说得明白:如果我们的技艺找到了恰当的说法,它就不顾声音的好坏。

Thy Mind well purg'd from vainer Cares compose, / For now my Muse is eager to disclose, / The nicest Secrets; which observ'd, impart / Fate's Laws, and prove the surest Guides to Art.

把你的心从较为虚浮的忧虑中涤清,安定下来;因为我的缪斯现在急于揭示最精微的秘密;留心观察它们,就能传达命运的法则,证明是通向这门技艺最可靠的向导。

大意与图解点开

🔎 大意:动人的题目谁都写得好;诗人却走陌生词语与深奥事物的难路,只教导心智,不讨好耳朵,请读者涤清杂念来听命运的法则。

📖 术语

术语英文原词意思
奥利斯Aulis希腊联军出征特洛伊处
外国印记的词语Words of foreign Stamp希腊术语
星辰的盟约Leagues of Stars星座间的关系

🧭 图解与讲解

诗人用三个比喻说明前人题目的「容易」(图一):平静的海上,不懂技艺的水手也能航行;肥沃的园里,不修整的花也会开;用黄金作材料,粗糙的金属也会发光。题材本身讨人喜欢,作者自然写得轻松。他的题目正相反:陌生的词语、深奥的事物,「时间的交替、命运的转折、星辰的盟约」,层层交错,精细得连思想都难以把握。

〔图〕别人走易路,诗人走难路:题材本身难,诗句只求说明白

他因此先与读者立约:这里没有特洛伊的故事和海伦的欢乐,也别指望甜美的诗句;「我不打动你的情感,只教导你的心智」。至于诗中会出现生硬的外国词,即希腊语的占星术语(如下文的「阿特拉」「上升点」),那是题材所迫:「如果我们的技艺找到了恰当的说法,它就不顾声音的好坏。」

这段开场白对理解卷三很有用:卷三几乎全是计算与规则,诗意远不如卷一、卷二。诗人预先请读者「涤清杂念」,因为下面要揭示的「最精微的秘密」,是能「传达命运的法则」的技术细节:十二份的配置、上升点的求法、星座升起的时间与寿数。

When Nature order'd this vast Frame to rise, / Nature, the Guardian of these Mysteries, / And scatter'd Lucid Bodies o'er the Skies; / When she the Concave, whence directly fall / Streight Lines of Influence round the solid Ball, / Had fill'd with Stars; and made Earth, Water, Air, / And Fire, each other mutually repair;

That Concord might these differing parts controul, / And Leagues of mutual Aid support the whole; / That nothing which the Skies embrace might be / From Heaven's supreme Command and Guidance free, / On Man the chiefest Object of her Cares / Long time she thought, then hung his Fates on Stars;

Those Stars, which plac'd i'th' Heart of Heaven, display / The brightest Beams, and share the greatest sway; / Which keep a constant Course, and now restrain / The Planets Power, now yield to them again; / Thus sometimes ruling, sometimes rul'd, create / The strange and various Intercourse of Fate. / To these her Powers wise Nature's Laws dispense

The twelve Lots of the twelve Signs

Submitting all things to their Influence: / But then as Emperours their Realms divide, / And every Province hath its proper Guide, / So 'tis in Signs; they have not equal Shares / Of common Power, each Fortune claims its Stars.

Our Studies, Poverty, Wealth, Joy and Grief, / With all the other Accidents of Life / She parcels out; to proper Stars confines / The Lots in number equal to the Signs.

These grac'd with proper Names and Place contain / The various Fortunes incident to Man, / Yet so contriv'd, that they are always found / In the same Order, in the fatal Round.

Yet are not Lots thus fixt to Signs to lie / Possessing the same Station in the Sky; / And from one place directing down to Earth / An equal Influence work on every Birth; / But still the Time of every Birth confines / These Lots to Seats, and makes them change their Signs, / That every Lot from every Sign may flow, / And vary the Nativity below.

But lest Confusion too much Change produce, / And make the Art too intricate for Vse; / 'Tis order'd thus:— / That when the Birth's first Minute hath decreed / The first Lot's Station, then the rest succeed / In following Signs; each Fortune takes its Seat / In proper Order, till the Round's compleat:

Take these short Rules till flowing Verse dilate, / Unfolding all the Mysteries of Fate.

These Lots which thus decreed to Signs contain / The various Fortunes incident to Man; / As Planets joyn with a malignant Ray, / Or Kind; or as the rolling Skies convey / To different Hinges, so the Fortune spreads, / And well or ill the whole Design succeeds:

Their Names and Kinds obliging Muse reherse, / And sing their Titles in no vulgar Verse, / That late Posterity with Joy may throng / To Themes unknown, and crowd to learn my Song.

翻译点开

When Nature order'd this vast Frame to rise, / Nature, the Guardian of these Mysteries, / And scatter'd Lucid Bodies o'er the Skies; / When she the Concave, whence directly fall / Streight Lines of Influence round the solid Ball, / Had fill'd with Stars; and made Earth, Water, Air, / And Fire, each other mutually repair;

当自然下令让这宏大的框架升起——自然,这些奥秘的守护者——把发光的天体撒满天空;当她用群星充满那穹隆,影响的直线从那里径直落向四周坚实的球体;并使土、水、气、火彼此相互补足;

That Concord might these differing parts controul, / And Leagues of mutual Aid support the whole; / That nothing which the Skies embrace might be / From Heaven's supreme Command and Guidance free, / On Man the chiefest Object of her Cares / Long time she thought, then hung his Fates on Stars;

好让和谐管束这些不同的部分,让相互援助的盟约支撑整体;好让天所拥抱的一切都不能脱离天至高的命令与指引;对于人,她所关怀的首要对象,她思量了很久,然后把他的命运悬在星座上;

Those Stars, which plac'd i'th' Heart of Heaven, display / The brightest Beams, and share the greatest sway; / Which keep a constant Course, and now restrain / The Planets Power, now yield to them again; / Thus sometimes ruling, sometimes rul'd, create / The strange and various Intercourse of Fate. / To these her Powers wise Nature's Laws dispense

那些星座位于天的中心,放射最明亮的光芒,分享最大的统辖;它们保持恒常的路程,时而抑制行星的力量,时而又向它们让步;这样时而统治、时而被统治,造成命运奇特而多样的往来。睿智的自然把她的法则所赋的力量分给它们,

The twelve Lots of the twelve Signs

[十二星座的十二份]

Submitting all things to their Influence: / But then as Emperours their Realms divide, / And every Province hath its proper Guide, / So 'tis in Signs; they have not equal Shares / Of common Power, each Fortune claims its Stars.

使万物服从它们的影响:但正如皇帝们分割疆土,每个行省都有它专属的长官,星座也是如此;它们并不平分共同的权力,每一种命运各自认领它的星座。

Our Studies, Poverty, Wealth, Joy and Grief, / With all the other Accidents of Life / She parcels out; to proper Stars confines / The Lots in number equal to the Signs.

我们的学业、贫穷、财富、欢乐与悲伤,以及人生其余的一切遭遇,她都一份一份地分配出去;把这些与星座数目相等的份,限定给各自的星座。

These grac'd with proper Names and Place contain / The various Fortunes incident to Man, / Yet so contriv'd, that they are always found / In the same Order, in the fatal Round.

这些份被冠以专属的名称与位置,包含人所遭遇的种种命运,而又安排得在命运的圆周上总是依同样的次序出现。

Yet are not Lots thus fixt to Signs to lie / Possessing the same Station in the Sky; / And from one place directing down to Earth / An equal Influence work on every Birth; / But still the Time of every Birth confines / These Lots to Seats, and makes them change their Signs, / That every Lot from every Sign may flow, / And vary the Nativity below.

然而这些份并不是固定在星座上、在天上占据同一个位置,从一处向地上导下影响,对每一次出生作用都相同;而是每次出生的时刻把这些份限定在各自的座位上,使它们更换星座,好让每一份都可能从每一个星座流出,使下界的命盘各不相同。

But lest Confusion too much Change produce, / And make the Art too intricate for Vse; / 'Tis order'd thus:— / That when the Birth's first Minute hath decreed / The first Lot's Station, then the rest succeed / In following Signs; each Fortune takes its Seat / In proper Order, till the Round's compleat:

但为了不让过多的变化造成混乱,使这门技艺繁难得无法使用,规定如此——当出生的最初一刻定下了第一份的位置,其余各份就在后随的星座里相继;每一种命运依适当的次序就座,直到一圈完满:

Take these short Rules till flowing Verse dilate, / Unfolding all the Mysteries of Fate.

先记住这些简短的法则,等流畅的诗句再来展开,揭示命运的一切奥秘。

These Lots which thus decreed to Signs contain / The various Fortunes incident to Man; / As Planets joyn with a malignant Ray, / Or Kind; or as the rolling Skies convey / To different Hinges, so the Fortune spreads, / And well or ill the whole Design succeeds:

这些份就这样被判给星座,包含人所遭遇的种种命运;随着行星以恶毒的光线或仁慈的光线与之相会,或者随着旋转的天把它们带到不同的门轴,命运就这样展开,整个计划或成或败:

Their Names and Kinds obliging Muse reherse, / And sing their Titles in no vulgar Verse, / That late Posterity with Joy may throng / To Themes unknown, and crowd to learn my Song.

乐于效劳的缪斯啊,请复述它们的名称与种类,用不凡俗的诗句歌唱它们的名号,好让遥远的后人欢喜地拥向这些前所未闻的题目,挤来学习我的诗歌。

大意与图解点开

🔎 大意:自然把人的命运系于黄道星座,又把人生遭遇分成十二份;份随出生时刻落入星座,第一份定位后,其余依序排在后随的星座。

📖 术语

术语英文原词意思
份Lots命运十二份之一
后随的星座following Signs按白羊、金牛的顺序
行省Province比喻每份各有其主
命盘Nativity出生时的天象

🧭 图解与讲解

这一单元讲十二份的原理(图一)。自然创造世界时,把人的命运「悬在星座上」;黄道星座位于「天的中心」,与行星时而相制、时而相让,造成命运的种种变化。但星座并不平分权力:正如皇帝把疆土分成行省、各派长官,自然也把人生的遭遇——学业、贫富、悲欢——分成与星座数目相等的十二份,各归一座。

〔图〕十二份的原理:份数等于星座数,次序不变,整体随生时转动

〔图〕十二份随生时整体移位:首份落在哪座,其余依星座次序排下去

关键在于:十二份并不固定在某个星座上。每个人出生的时刻决定第一份落在哪个星座,其余十一份依同样的次序排进「后随的星座」,即按白羊、金牛、双子……的黄道次序(图二)。所以同一份可以落在任何一个星座上,每个人的命盘因此各不相同;次序却永远不变,这门技艺才不致繁乱无法使用。

份落定之后,吉凶还要看两件事:行星以恶毒或仁慈的光线与它相会,以及旋转的天把它带到哪个门轴。这与卷二讲的相位、门轴、宫位接上了。第一份怎样定位,诗人留到下一页(卷三(二))讲,这里先列出十二份的名号。

First Lot

Fortune's the first: This Name our Art bestows, / And what it signifies the Title shows.

Here House is found, with all that may conduce

Vid. Fig. 11

To House, either for Ornament or Use: / What train of Servants, what extent of Field / Shall aid the Birth, or give him room to build: / When large Foundations may be safely laid, / Or Houses roof'd; if Friendly Planets aid.

Second Lot

Warfare's the next: And 'tis in This decreed / How every Native shall in Arms succeed: / What Dangers wait them when abroad they roam, / To pick up Follies which they miss at home.

Third Lot

Civil Employments in the Third we find, / Tho those too justly may be styl'd a kind / Of Warfare; when two different Interests jarr, / Oppos'd in sides, and make a sort of War.

Here's Patronage, and here our Art descries / What breaks its bands, what draws the closer ties, / Shows what Rewards our Services may gain, / And how too often we may court in vain: / All this as Planets friendly Aids conspire, / Or temper Signs with their unlucky Fire.

Fourth Lot

Proceed, my Muse, for in the next appear / The Court Concerns, and Fortunes of the Bar, / The pleading Patron with the fearful Throng / Of trembling Clients hanging on his Tongue.

The smooth Perswader who shall teach the Laws, / And settle Right, whilst Truth supports the Cause; / For from this Lot the Planets Rays dispense / The various Powers of winning Eloquence. / The Fifth to Marriage Sacred yet pretends

Fifth Lot

To Guests, Acquaintance, Company, and Friends; / Here we discern the Common League that binds / The Equal Souls, and joyns agreeing Minds.

红像陶瓶画:辩护人在法庭上陈词,委托人屏息聆听
悬在他舌头上的委托人
翻译点开

First Lot

[第一份]

Fortune's the first: This Name our Art bestows, / And what it signifies the Title shows.

福运是第一份:我们的技艺给它这个名称,它意味着什么,名号本身就说明了。

Here House is found, with all that may conduce

这里可以找到家宅,以及一切有助于

Vid. Fig. 11

[见原书图十一]

To House, either for Ornament or Use: / What train of Servants, what extent of Field / Shall aid the Birth, or give him room to build: / When large Foundations may be safely laid, / Or Houses roof'd; if Friendly Planets aid.

家宅的装饰或用途的东西:有多少仆从、多大的田产来帮助所生之人,或者给他营造的余地;什么时候可以安全地打下宏大的地基,或给房屋盖顶,如果友好的行星相助的话。

Second Lot

[第二份]

Warfare's the next: And 'tis in This decreed / How every Native shall in Arms succeed: / What Dangers wait them when abroad they roam, / To pick up Follies which they miss at home.

其次是征战:这一份决定每个本命者在兵戈中怎样成功;当他们在外漫游时,有什么危险在等着他们,去拾取他们在家中错过的种种愚行。

Third Lot

[第三份]

Civil Employments in the Third we find, / Tho those too justly may be styl'd a kind / Of Warfare; when two different Interests jarr, / Oppos'd in sides, and make a sort of War.

第三份里是公务,虽然公务也完全可以称为一种征战:两种不同的利益相冲突,分成对立的两边,形成一种战争。

Here's Patronage, and here our Art descries / What breaks its bands, what draws the closer ties, / Shows what Rewards our Services may gain, / And how too often we may court in vain: / All this as Planets friendly Aids conspire, / Or temper Signs with their unlucky Fire.

这里有恩庇与依附,我们的技艺在这里看出什么会破坏其中的纽带,什么会把纽带系得更紧,显示我们的效劳能得到什么报酬,以及我们又是多么常常白白地逢迎:这一切都看行星是协力友好相助,还是以它们不吉的火焰浸染星座。

Fourth Lot

[第四份]

Proceed, my Muse, for in the next appear / The Court Concerns, and Fortunes of the Bar, / The pleading Patron with the fearful Throng / Of trembling Clients hanging on his Tongue.

前进吧,我的缪斯,因为下一份里出现的是法庭的事务与律师的命运:作辩护的恩主,以及一群战战兢兢、悬在他舌头上的委托人。

The smooth Perswader who shall teach the Laws, / And settle Right, whilst Truth supports the Cause; / For from this Lot the Planets Rays dispense / The various Powers of winning Eloquence. / The Fifth to Marriage Sacred yet pretends

还有那善于劝说、将要讲授法律、在真理支持讼案时确立是非的人;因为行星的光线从这一份散布出赢得人心的雄辩的种种力量。第五份则自称属于神圣的婚姻,又属于

Fifth Lot

[第五份]

To Guests, Acquaintance, Company, and Friends; / Here we discern the Common League that binds / The Equal Souls, and joyns agreeing Minds.

宾客、相识、同伴与朋友;在这里我们看出那把相等的灵魂系在一起、把投合的心联结起来的共同盟约。

大意与图解点开

🔎 大意:第一份福运,主家宅、仆从、田产与营造;第二份征战与远行;第三份公务与恩庇;第四份诉讼与雄辩;第五份婚姻、宾客与朋友。

📖 术语

术语英文原词意思
福运Fortune第一份,主家宅产业
征战Warfare第二份,兵戈与远行
公务Civil Employments第三份,仕途与恩庇
恩主Patron罗马的庇护人
委托人Clients依附恩主的人

🧭 图解与讲解

从这里起逐份介绍(表一)。第一份名「福运」(Fortune),却不是泛指好运,而是家宅产业:房屋的装饰与用途、仆从多少、田产大小,甚至何时适宜打地基、盖屋顶,都在这一份里看。下一页会讲到,第一份的位置要用日、月与上升点算出,求法与后世的「福点」相同,福点也主财富,两者一脉相承。

第六至第十二份见下一页卷三(二);吉凶都看行星的光线是友好还是不吉
份名号所主之事(诗中所说)
第一份福运家宅及其装饰、用途;仆从多少、田产大小;何时可打地基、盖屋顶
第二份征战兵戈中的成败;在外漫游时的危险
第三份公务仕途之争;恩庇关系的松紧;效劳的报酬,或白白逢迎
第四份诉讼法庭事务、律师的命运;讲授法律、雄辩之力
第五份婚姻婚姻,以及宾客、相识、同伴、朋友

第二份「征战」主兵戈中的成败,也主远行在外的危险,诗人顺带讽刺一句:人出门在外,是去拾取在家里没犯过的愚行。第三份「公务」,诗人说它其实也是一种战争,因为仕途中利益相争、分成两边;这一份还主罗马社会特有的「恩庇关系」,即恩主与依附者之间的纽带,看效劳能否得到回报。

第四份主法庭:作辩护的恩主、悬在他舌头上的委托人、讲授法律的人,以及雄辩的力量。古罗马的辩护人多由显贵充任,委托人是依附他们的平民。第五份主婚姻,又主宾客、相识与朋友,即一切「把相等的灵魂系在一起」的结合。诗人在每一份里都提醒:吉凶看行星是友好相助,还是投下不吉的光线。

原文为公有领域古籍;翻译、印象画与图文解读由 AI 辅助生成,鲲侯审校。